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<pre> <font color='#808080' size="2">use of theory to develop concepts that...</font>
<font size="+1" color="#FF0000" title="
«Det
nbsp;å oppfatte, med Cervantes, verden som tvetydighet, det
å ikke lenger stå overfor én eneste, absolutt sannhet, men et
mylder av relative sannheter som&nbs
p;motsier hverandre (sannheter
inkorporert i 'imaginære egoer' som kalles personer), det vil si å
ha 'uvisshetens visdom' som sin eneste visshet, og det krever &nbs
;
ikke mindre styrke.»
Milan Kundera
"><strong>inform actual making</strong><!-- a href="JavaScript:SmallWindow1('http://artematrix.org/find/default.htm')">Search</a -->
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>site.log</a> <a href="/logbook/" title=" [unconditional consequences] ">...wall.postings</a><font color="#BABA40">/</font><a href="/logbook/weblog.archive.htm" title=" ...and it's archive ">archive</a> <a href="http://lab.artematrix.org" target="_blank" title=" lab.artematrix.org ">teknowledge·lab</a> <a href="http://artematrix.org/bookma
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<pre><font color='#808080' size="2"><a href="Jens.Laland/sketchbooks" title=" from my sketchbooks " target="mainFra
e">pencil and paper</a>
An archaic information storage and transmission device that
works by depositing smears of graphite on bleached wood pulp.
More recent developments in paper-based technology include
improved "write-once" update devices which use tiny rolling
heads similar to mouse balls to deposit coloured pigment. All
these devices require an operator skilled at so-called
"handwriti
ng" technique. These technologies are ubiquitous
outside hackerdom, but nearly forgotten inside it. Most
hackers had terrible handwriting to begin with, and years of
keyboarding tend to have encouraged it to degrade further.
Perhaps for this reason, hackers deprecate pencil-and-paper
technology and often resist using it in any but the most
trivial contexts.
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